The Soccer
Stride Problem
Soccer builds small steps. Acceleration demands big ones. The motor pattern that makes a good dribbler puts a lid on your athlete’s top gear — and most athletes have no idea it’s there.
June Camp.
Something Is Wrong.
It was a June football camp, just before the end of the school year. My son Max was going into his first fall season as a receiver. He’d put on muscle over the winter. His route running was crisp. His hands were good. He was catching rockets from the quarterback and everything looked sharp.
Almost everything.
When he tried to open up — really open up, full acceleration down the field — there was a lid. Something stopping him from hitting a fourth gear he clearly had in him. I couldn’t quite name it at first. I just knew something was off.
Then I watched one of the younger receivers run the same route. This kid was three inches shorter than Max and twenty pounds lighter. He hadn’t trained a day in a formal program. He was raw and untrained and his technique was a mess.
His steps were bigger.
Not by a little. By a lot. This smaller, lighter, untrained kid was covering more ground per stride than my son — who had been training seriously for over a year. I stood there on the sideline thinking: I’ve really screwed this up.
I knew immediately what had happened. Ten years of soccer had taught Max’s body exactly how to move with a ball — short, controlled, compact steps that keep the ball close and the body balanced. That motor pattern was deeply grooved. Ten years deep. And when the ball wasn’t there, when the task was pure acceleration, the same pattern fired anyway. The body didn’t know to switch. Nobody had taught it to.
Max was stuck in third gear. The fourth gear existed. But the road to it was blocked by a movement habit a decade in the making.
Two Different Jobs.
One Body Trying to Do Both.
Running with the ball and running without the ball are not variations of the same movement. They are physically different tasks that demand different mechanics — and the body can only be trained for one at a time.
Short steps. Upright posture. Control.
The body stays compact. Steps are short and quick — this keeps the ball close, allows rapid direction changes, and maintains balance when a defender challenges. The posture is slightly upright. The hips stay high and controlled. This is the movement pattern soccer trains thousands of repetitions of, starting from the first time a kid kicks a ball.
Big steps. Forward lean. Drive.
Full acceleration demands a completely different shape. The body leans forward into the movement. The knee drives high — the higher the knee, the more the athlete can lean, the more force goes into the ground behind them. The steps are long and powerful. Usain Bolt takes 43 steps to run 100 metres — more than two metres per step. Covering ground at speed requires covering ground per stride. Small steps are the enemy of acceleration.
The problem is not that soccer players are bad at acceleration. It’s that their nervous system has been trained, through thousands of hours of repetition, to default to the with-ball pattern. When the ball disappears and the task changes, the motor pattern doesn’t automatically follow. It takes the familiar road — the short, controlled steps — because that road has been practiced into deep habit.
This is not a fitness problem. You cannot condition your way out of it. You cannot sprint your way out of it. It is a motor pattern problem, and it requires a motor pattern solution. Why it was always the nervous system →
The Camera
Doesn’t Lie.
You cannot tell an athlete their steps are small and expect them to change. I’ve tried. It doesn’t work. The words land as interesting information — like being told about the aerodynamics of bird flight. Academically noted. Behaviourally ignored.
The body doesn’t change through information. It changes through sensation and evidence.
I told Kaci her steps were small. She nodded. Nothing changed.
I lay flat on the ground in front of her — six feet long — and told her to step over me as far as she could. To really reach. She landed at my waist. I told her that Bolt’s stride covers more than two metres at full speed. That if she wanted to cover ground, she needed to take up more of it with each step. She nodded again. The steps didn’t change.
Then I filmed her. I put the camera on her trying to accelerate across the field. I showed her the footage — her footage, not a demonstration video, not someone else’s clip. Her.
She watched it for about four seconds and said: “Holy shit, Greg. My steps are small.”
That was the moment. Not the explanation. Not the drill. The evidence of herself, on screen, doing the thing she hadn’t been able to feel.
After that she got it. We worked on the correction. When the new pattern finally arrived, she said: “That feels really weird.”
Good. That’s exactly right. Weird means the motor pattern changed. The body has left familiar territory. Everything new feels wrong before it feels natural. That feeling of wrongness is not a sign to go back — it’s the signal that something is actually different.
Kaci went on to become a Nike-sponsored athlete. Not because she trained harder — because she could finally access what was always there. Read the full story of her rise →
This is true for every athlete making a mechanical change. The nervous system uses familiarity as a proxy for correctness. When a movement feels natural, the body assumes it’s right. When it feels strange, the body wants to return to what it knows. Breaking that cycle requires two things: evidence the old pattern isn’t working, and enough repetition of the new pattern that strange starts to feel normal.
The camera provides the evidence. The training provides the repetition. You need both.
“It has to feel weird. That’s how you know it changed.”
— Greg Almon, Jungle Athletics CalgaryA Beach in Vernon.
And a Kid Who Had to See It Himself.
I brought it up to Max after camp. Not on the sideline — I waited. Picked the right moment. Told him what I saw. Told him about the smaller kid’s steps. Told him what ten years of soccer had done to his acceleration mechanics.
He nodded. Said he got it. Seemed fine with it.
He didn’t believe a word of it.
I could tell. He was sixteen. He’d been playing soccer since he was six. He’d been fast his whole life. His dad was telling him his steps were small — the same dad who’d been coaching athletes for twenty years, who’d worked with Olympic programs, who’d watched ten thousand sessions. He listened politely and filed it away under “dad stuff.”
So I filmed him.
Same process as with Kaci. I put the camera on him accelerating across the field and showed him the footage. And I watched his face while he watched it. There was a pause. Then:
He didn’t say anything clever. He didn’t have a comeback. He just looked at it for a long moment and said: “Okay. Yeah. I see it.”
That was different from the nod. The nod was polite. This was real.
We spent the rest of the summer fixing it. Not in a training facility. Not with specialized equipment. We were on a family vacation in Vernon, BC — and the beach turned out to be the best possible place to do this work.
Sand is brutally honest. You can cheat on grass. You can get away with an incomplete push, a lazy hip, a stride that’s half what it should be — the ground gives it back to you anyway. Sand doesn’t. If you don’t finish the push, the ground takes it from you. If your pelvis is tilted and your knee drive is limited, you go nowhere. The resistance forces the body to find the right mechanics or stop moving.
We did patterns on the beach. Drills in the shallow water. Acceleration work in the dry sand. Every session, Max was fighting the surface — and every session, the surface was teaching him something no coaching cue could.
What does the fix actually involve? Three things, in order:
See It First
Nothing changes until the athlete sees their own footage. Not a demonstration. Not someone else’s clip. Them, on screen, doing the thing they can’t feel. The moment of recognition is the foundation. Max had to see it. Kaci had to see it. Every athlete has to see it. Words don’t reach the motor pattern. Evidence does.
Create the Conditions Where the Body Has to Change
You can’t think your way to a longer stride. You need an environment that demands it. Sand is one of those environments — it forces the push to complete, forces the hip to open, forces the body to find mechanics it’s been avoiding. Water resistance does the same thing. Specific mobility work opens the hip range that ten years of dribbling patterns have compressed. The pelvis — the soup bowl Dan Pfaff talks about — has to stop spilling forward before the knee can drive high enough to produce a real stride. This isn’t stretching. It’s reorganizing the foundation that the stride sits on.
Stay in It When It Feels Wrong
The corrected movement feels wrong. Every time. For every athlete. When the new stride started clicking for Max, he said it felt like he was running weird. Good. That’s the motor pattern shifting. The nervous system uses familiarity as a proxy for correctness — when something feels strange, it wants to go back. The only way through is repetition. Enough of it that strange starts to feel normal. For Max that was a summer. A beach in Vernon and a dad who wouldn’t let it go.
By August camp, Max was the biggest strider on the field. Not because he’d gotten stronger. Not because he’d trained more. Because a movement pattern that had been locked in for ten years had finally been unlocked. The fourth gear was always there. He just hadn’t had access to it.
He became WR1. And when I asked him afterward what felt different, he said he didn’t really know — he just felt faster. He didn’t connect it back to the beach. Didn’t think about the patterns or the sand or any of it. He just felt like himself, finally, at full speed.
Then indoor soccer season started.
Max had always been good. But that winter he was closing on players in a way he never had before. Pressing from distance and actually getting there. Running down balls that would have beaten him the year before. His teammates noticed. His coach noticed. Nobody knew why — because the work had happened on a beach in Vernon, over the summer, in a different sport entirely.
That’s the thing about fixing the stride. It doesn’t belong to football. It doesn’t belong to the beach. It belongs to the body. And the body takes it everywhere. Why coordination is the most underrated quality in youth sport →
That’s what it looks like when the lid comes off.
“He didn’t know why he felt faster. He just did. That’s exactly how it’s supposed to work.”
— Greg Almon, Jungle Athletics CalgaryThe Lid Is There.
Most Parents Don’t Know to Look.
Max’s story isn’t unusual. It’s just more visible to me because he’s my son and I was standing on the sideline when I saw it.
We see the same pattern constantly at Jungle — talented, hardworking soccer players who have been training for years, whose coaches love them, whose parents have invested heavily in their development, and who are running in third gear without anyone knowing there’s a fourth.
The stride problem doesn’t announce itself. It hides behind general “slowness” or “he just needs to get faster” or “she fades in the second half.” It gets misdiagnosed as a fitness problem and treated with more conditioning — which doesn’t touch it at all, because it’s not a fitness problem. It’s a motor pattern problem. And motor pattern problems require a completely different solution.
The solution starts with a camera. It ends with repetition. And in between, there’s usually a moment where the athlete watches their own footage, goes quiet for a second, and says some version of: I didn’t know it looked like that.
That moment is the beginning of everything.
Development System Explained
If this article is your first introduction to Jungle Athletics, the soccer stride problem is one piece of a larger training system. Before booking, most parents find it useful to understand how the methodology, the Battery Model, and the sensitive periods all connect — and why motor pattern work produces results that more practice time alone doesn’t.
What’s Stopping
Your Athlete?
Book your athlete’s Free Athlete Analysis. 60 minutes. We’ll film them, find the pattern, and show you exactly where the ceiling is — and what it takes to remove it.
Book Your Free Athlete Analysis134 71 Ave SE · Calgary, AB T2H 0L9 · 403-462-8424
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